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The Way Back

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IMDB User Ratings:

Chronicles the escape of a small group of multi-national prisoners from a Siberian gulag in 1940 and their epic life affirming journey over thousands of miles across five hostile countries.
Logline:     The true story of soldiers’ escape from a Siberian gulag in 1942.
Genres:     Art/Foreign and Drama
Running Time:     2 hr. 13 min.
Release Date:     December 29th, 2010 (LA); January 21st, 2011 (limited)
MPAA Rating:     PG-13 for violent content, depiction of physical hardships, a nude image and brief strong language.
Distributors: Newmarket Films

IMDB User Reviews:

Author: doubleo
Peter Weir’s follow-up to Master & Commander (2003) is the unflinching, stark, & brilliant The Way Back, which takes on the weighty theme of man’s struggle for freedom. At the dawn of WWII, several men escape from a Russian gulag. The film details their perilous & uncertain journey to freedom, as they cross deserts, mountains, & several nations. The cast is a clever mix of seasoned pros & relative newcomers. Ed Harris, in the role of the sole American, lends his usual gravitas. Colin Farrell borrows from his In Bruges character, but the addition of bad jailhouse tattoos is wildly amusing, & his Russian is quite passable. It’s always nice to see Mister Farrell doing serious work, rather than bland fluff like Miami Vice or SWAT. Mark Strong’s brief, but plot-essential appearance is joyous. Jim Sturgess gets a chance to redeem himself from the disastrous flop 21, & does a fine job here, as the central character. & the adolescent Saoirse Ronan belies her extensive & impressive resume with an understated performance that sparkles against the men’s terse asperity. Breathtaking vistas that serve as the backdrop to the cast’s efforts lend The Way Back an epic feel, echoed by mature editing, & mavellously restrained use of music. This is, quite possibly, the most serious film Peter Weir has ever directed, & the result is both thought-provoking & inspiring. We can only hope that it gets a proper release, & is allowed an opportunity to reach its grown-up audience.

Author: richard-1967 from United States
Anyone familiar with Peter Weir’s incredible body of work – particularly his earlier Australian-produced movies – knows that a new Weir movie is an important event indeed. Almost all Weir’s too-infrequent movies are at least noteworthy (Witness, Dead Poets Society) if not downright great (Year of Living Dangerously, The Last Wave). With The Way Back, Weir may have made his greatest film ever. An epic and unrushed (2 1/4 hours) trek from a Soviet Gulag to the green hills of India, this is a beautifully filmed and superbly acted piece. Let it take its time; it is thrilling and appalling, but also beautiful. The story, which Weir apparently has long wanted to film, is based on the account of a Polish army officer who later moved to England and wrote (with a ghost-writer) the book “The Long Walk,” describing the journey he took with seven others. The movie is quite true to the book, right down to the American “Mr. Smith,” Ed Harris’ character. While the veracity of the story in the book has been questioned, that doesn’t interfere with the great film-making. Harris is fine as always, as is Colin Farrell as a Russian thug, but it is Jim Sturgess, as the Polish leader of the expedition, who has the most bravura performance. Bravo to the cast, cinematographer, and most of all, Mr. Weir.

Author: nat-horne from United Kingdom

My top 10 list is sure gonna be hard to make this year. There have so many great-but-not-GREAT movies this year and The Way Back is one of them. Don’t get me wrong, it is an excellent film but the screenplay isn’t quite as good or interesting as it has been in some of Weir’s other movies. Not that that stops Weir from directing this film in the masterful manner that he usually shows, seriously, I think he is one of the few directors in film history who can “do anything” if that makes sense because despite any flaws this film may have, it is a beautiful piece of work and if DP Russell Boyd doesn’t get an Oscar nom then eyebrows will be raised. The acting is as reliably good as we’ve come to expect from the cast (I still can’t believe that Saoirse Ronan is ONLY 16 with the number of great roles she has on her CV) with the exception of Colin Farrell, who is absolutely fantastic as the violent Russian criminal whose “skills” the other escapees may come to need. With this and In Bruges, his transition from Hollywood bad-boy to respectable actor is complete, the performance is Oscar-nomination worthy at least and he stands out to the point where it is weaker in sections without his character. Some critics have labeled The Way Back a disappointment and whilst I can see why, its still matches a lot of the other beloved films this year for quality and I hope it isn’t completely ignored come January 25th.

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